费迪南德波尔（1616年至1680年）是总部设在阿姆斯特丹的荷兰老主人和伦勃朗的学生。这在伦敦画在肯伍德别墅是我最喜欢的画作之一。电竞外围博彩app它是如此的很精致，含蓄而优美。这一次，它不是花边和带走我的呼吸面料，但保姆的温和现实主义的人性。它不知道她是谁。但我不禁目瞪口呆的微妙波尔用来给她画像。照明是那么温柔，柔软而富有，她的蕾丝帽只是在阴影的完美价值。这是不是太显着黑暗，也不能简单地亮。她的脸几乎不显示任何刷痕，但它是通过在温度和值及其众多的变化活泼。她的珍珠耳环被低估; her red lips are echoed in the red string of her ruff, which is open at the front to show the Dutch bobbin lace underneath, and again in the red velvet table cloth. The beauty in this painting does not lie in these textile elements which are kept relatively simple to support the highly detailed face (and hair) of a woman that seems to be about to speak to us. The lady seems preoccupied and looking elsewhere; her features do not seem idealised and all the more real for it. She is not posing, nor standing perfectly straight, she is in the middle of something. The golden light shines warmly on her hair, dress and jewellery. I just can't get over how alive yet calm and quiet she looks.